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Notes: Chapter 5
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Notes for Chapter 5. Scipio, Massilia, 218
B.C.
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Gallic
attack on Roman colonies in Italian Gaul, 218 B.C.E. As the attack on
Placentia and Cremona is (probably) peripheral to the Hannibal story (unless
Hannibal did help foment it), I’ve abbreviated it here, but the story is a
good one, and you can read what I wrote about it initially.
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Household
duties. As a high-born, wealthy Roman matron, Scipio’s mother, Pomponia,
would have charge of running the household. Supervising the kitchen staff,
the cleaning staff, and so on. Planning meals and parties. Supervising the
slaves or freedmen and -women who cared for her children. Keeping household
books.
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Domina,
Domine. Titles of address used by slaves or freedmen for their
masters/patrons. Roughly equivalent to Sir and Madam. The
title for an unmarried girl was Dominilla. See
Glossary.
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Loyalty
of slaves. Undoubtedly the majority of slaves in ancient Rome hated their
station and, probably, their masters. But many, particularly those in
lifelong servitude with no prior experience of freedom, were often also
quite loyal and loving and were frequently treated well, almost as members
of the family.
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Taking
slaves along on a military campaign. Low-born, relatively poor men served in
the army as rank-and-file soldiers or noncommissioned officers (centurions,
decurions), but their social betters, wealthier and high born, served as
officers: tribunes, legates (in the later Republic), and legion commanders.
These privileged men may often have taken one or a few personal slaves along
on campaign to tend to their tents, meals, personal effects, and persons.
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Wooden
sword. Boys taking military training on the Campus Martius used wooden
swords for practice, as did actual legionaries during training.
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Crucify.
Crucifixion was widely practiced in the ancient world—by modern standards
a barbaric place even in its most civilized centers—especially in Rome and
Carthage. The cross was
a pair of beams arranged in an X shape, not a T.
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Carthaginian
Senate. While the government of Carthage evolved like most governing
systems, and while our knowledge of it is limited due to the loss of most
Carthaginian records, in Hannibal’s time the government consisted of
elected magistrates as in Rome. These were elected for short terms, probably
one to five years and controlled by checks and balances in other bodies,
including a Senate (though it was no doubt called something different) and a
council of 104 judges called “The One Hundred.” The magistrates
consisted of two Suffetes or Shofets, equivalent to Roman consuls, plus
other, lesser magistrates. The Suffetes were elected annually (but
apparently could serve multiple terms, since Hannibal is known to have been
Suffete for five years after his defeat), the requirements being wealth,
birth, and a strong political following. Generals and other officials were
also elected. Elected officials were supervised primarily by The One
Hundred. The Senate consisted of several hundred life members, chosen from
the wealthy aristocratic class. Many military officers were trained in an
elite organization called the Sacred Band. Due to its small population,
Carthage had no obligatory military service. Instead, they used mercenaries
commanded by Carthaginian officers.
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“Usually
with the shore in sight.” Ancient sailors lacked means other than sun and
stars for navigation, and they sailed mostly in rather frail ships. Because
of the great danger of sudden storms (they had no modern weather gear or
satellite weather reports) and the difficulty of navigation (no compasses or
sextants), they often hugged coastlines rather than venturing out over the
deeps away from land.
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Marcus
Livius’s father, Marcus Livius Salinator senior, served as consul in 219
B.C.E. and then as ambassador to Carthage. Shortly after, one of his
tribunes, Gaius Claudius Nero, accused Livius of embezzlement while
distributing the spoils he had won in Illyria. Although not convicted,
Livius fled to his Campanian estates, where he sulked over the way he had
been treated. I have young Marcus Livius develop a deep hatred of Gaius
Claudius Nero, which will later play into his friend Scipio’s career in
Spain.
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“Not
to partake of fire or water.” Republican Rome did not execute her
citizens—except for extreme offenses, such as murder or treason, in which
case they could be thrown from the Tarpeian Rock. Instead, the most extreme
punishment in normal circumstances was exile some certain distance from
Rome. Thus the punished could not partake of fire or water within that
distance. Exiles often went to Greece, Egypt, or Massilia.
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“Good
Roman steadfastness.” Romans, and especially Roman women of the Republican
period, are known for their great practicality and steadfastness. Roman
mothers, in particular, had the reputation for wishing their sons to
“return victorious or return on your shield.” [find source] Colleen McCullough’s
Aurelia, mother of Caesar, and Robert Graves’ Livia, wife of Augustus, are
good examples. The quintessential example was Cornelia, “mother of the
Gracchi” (Tiberius and Gaius Gracchus). Cornelia was Scipio Africanus’s
younger daughter, who married Tiberius Sempronius Gracchus and bore him
twelve children, only three of whom survived to adulthood. Her fortitude and
rectitude were held up as exemplary in later centuries.
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“A
weepy slave needs a good flogging.” Romans could and did flog and
otherwise punish their slaves, even to crucifying them in the garden. Most
Romans were probably much less extreme, but some were notorious. Colleen
McCullough paints Servilia, mother of Brutus and mistress of Caesar, as one
who occasionally flogged or crucified her slaves. A few Romans were known to
enjoy torturing their slaves. But many Romans were kind and decent to their
slaves—though they were still slaves. Masters often manumitted slaves for
good and long service, and such freedmen usually continued in their former
master’s service, with pay. Some masters even paid their slaves a small
wage.
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Description
of ancient Massilia (modern Marseilles, France). Most of this comes from Gallia
Narbonensis: Southern France in Roman Times, by A.L.F. Rivet. In
particular, I found Rivet’s map of the ancient city on page 221, based on
archaeology, very useful. It shows the locations of the docks, the temple of
Artemis, and the Greek theater where I have Scipio and Aphrodite meet. The
map shows the city’s orientation to the Lacydon harbor and the
Mediterranean. You can also see where the Romans probably camped, as the map
shows a possible location for Gaius Trebonius’s camp over a hundred years
later.
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Rhodanus
River. The ancient name of the modern Rhône River, whose headwaters are in
the mountains of Switzerland and which runs down into central France, then
down the middle of southern France to spill into the Mediterranean Sea
through numerous mouths west of Marseilles (Massilia).
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Oratory.
Public speeches—in the Forum, the law courts, the Senate House, at
funerals, and so forth—was probably to the Romans what TV is to us.
Information, entertainment, and one of the routes to power and prominence,
as witness the career of Cicero. My information on ancient rhetoric in this
passage comes from my own background as a modern rhetorician (I spent twelve
years teaching college composition and took my training under W. Ross
Winterowd at the University of Southern California in the late 1970s) and
from Aristotle’s Rhetoric and Cicero’s De Oratore.
Callisthenes is based partly on Ross Winterowd and partly on a late uncle of
mine, Guy Allmon.
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Field
of Mars. English translation of Campus Martius.
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Twelve
Tables. See
Glossary.
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Description
of the docks in Massilia. This is mostly my imagination of what such a place
would probably look and smell like.
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The
picture of ancient commerce—what products were shipped around. ……
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Structure
of the Greek theater in which Scipio meets Aphrodite. Many such theaters
still exist all over the Mediterranean world. Among the examples I’ve seen
are the large and small theaters in Pompeii. A theater of this sort does
show up on the map of Massilia in Gallia Narbonensis….
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Black-figure
vase. Aphrodite’s vase is very old, perhaps four hundred years.
Black-figure was an old style of Greek pottery, dating from the 6th
century B.C. Black-figure pots, according to Adkins & Adkins, Handbook
to Life in Ancient Greece, had a light background of red or cream with black
decorations, though these included a few other colors, such as red for
men’s beards. Early black-figure pots pictured human figures and animals,
often with themes of gods and heroes. Midway in the 6th century,
they started including everyday scenes, such as athletes and women at
fountains. Late in the 6th century, red-figure vases began to
supersede black-figure. These reversed black-figure, with a black background
and red figures.
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Strawberry
tree.
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